民族、传统与现代的融合——里盖蒂《中提琴无伴奏奏鸣曲》第一乐章“双律制音高组织”研究  

Fusion of Ethnic,Traditional and Modern Music——A Study of Double Tuning System in the First Movement of Ligeti’s Sonata for Viola Solo

作　　者：左延芳[1] ZUO Yanfang

机构地区：[1]中央音乐学院图书馆,北京100031

出　　处：《黄钟（武汉音乐学院学报）》2020年第4期89-98,162,163,共12页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：多乐章套曲《中提琴无伴奏奏鸣曲》(Sonata for Viola Solo)是匈牙利先锋派作曲家里盖蒂(György Ligeti,1923—2006)创作晚期的代表作之一,其中第一乐章《霍拉舞曲》(Hora lungǎ)彰显了作曲家在民族与传统的基础上对于超越和丰富十二平均律音高体系所做的探索。文章以音高作为切入点,采用主题动机发展手法、比较法以及申克式深层结构分析方法,对《霍拉舞曲》中“双律制音高组织”与民族民间音乐元素、传统的主题动机发展手法相交融的创作手法进行深入探讨,并进一步窥探作曲家在创作晚期的探索方向。The multi-movement suite Sonata for Viola Solo is one of the masterpieces of Hungarian avantgarde composer György Ligeti’s(1923—2006)late period.The first movement,named Hora lungǎ,demonstrated the composer’s exploration of transcending and enriching the twelve-tone equal temperament system based on the national and traditional compositional techniques.This paper takes pitches as entry point,by using the development techniques of thematic motivation,comparative methods,and Schenkerian analysis,probes deep into the merging compositional technique of double tuning system,the ethnic elements of folk music,and the traditional style of the development of thematic motivations in Hora lungǎ,and further explores the composing direction of Ligeti’s late period.

关 键 词：里盖蒂 霍拉舞曲 双律制音高组织 民族性 现代技法 

分 类 号：J614[艺术—音乐]