论朱寿桐散文的汉语美学特征  

On the Aesthetic Features of the Chinese Language in Zhu Shoutong’s Prose

作　　者：傅天虹[1] 沈延鑫 Fu Tianhong;Shen Yanxin

机构地区：[1]北京师范大学珠海分校

出　　处：《华文文学》2020年第5期77-84,共8页Literatures in Chinese

摘　　要："汉语新文学"理论下的文学实践,使解读朱寿桐散文与生俱来的汉语美学特征有了更深层次的文化意义。追踪朱寿桐散文的汉语文化根柢,发掘汉语作为散文的生命形态,散文作为汉语的审美样式,进而使汉语美学的智慧巧妙地运用于文学文本之中。这场注定曲折艰辛的文化苦旅,是作为当代学者不变的现实追求,只有回归汉语,正本清源,积极对话,迈步创新,自觉地将传统的文化因子作为一种潜能在更深的层面存活下来,为其注入更多的文化养分,彰显本色风骨与情采,才能在世界风云变幻的文化浪潮中扎根生存,发展繁荣。With the theory of New Literature in Chinese,literary practices provide a deeper-level cultural significance to the reading of the aesthetic features of Zhu Shoutong’s prose as one follows the cultural roots of the Chinese language in Zhu’s prose and excavates the life forms of the Chinese language as prose,an aesthetic mode,that enables the aesthetic wisdom of the language to be cleverly used in the literary text.This bitter culture journey,destined to be tortuous,is a contemporary scholar’s unchanging realistic pursuit as only by returning to the Chinese language can one engage in an active dialogue and creating the new.Only by surviving on a deeper level through self-consciously treating the traditional cultural elements as a potential and injecting it with more cultural ingredients,revealing the true features and feelings,can one strike roots in the changing cultural waves in the world for development and prosperity.

关 键 词：朱寿桐 汉语美学 《从俗如流》 汉语新文学 

分 类 号：I207.6[文学—中国文学]