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作 者:刘璇 Liu Xuan
机构地区:[1]暨南大学文学院
出 处:《华文文学》2020年第4期80-86,共7页Literatures in Chinese
摘 要:李朝时期,朝鲜文人在阅读中国通俗小说及本国汉文小说后,常以序跋形式抒发其阅读感受,它们便成为集中展示朝鲜文人通俗小说观念的重要材料。朝鲜文人最初对中国通俗小说的认识,在中国通俗小说观念与本国儒学观念的双重影响下,呈现出颇为矛盾的面貌。李朝中期,朝鲜读者逐渐形成以道德劝诫价值、社会实际作用为评价标准的小说观念,并开始探讨小说类别、虚构性质等问题。发展至李朝后期,朝鲜文人的小说观念进一步成熟,逐渐摒弃了仅以道德训诫作为通俗小说唯一评价标准的旧有观念,开始对通俗小说的创作目的、文体特质等问题进行较为深入的探讨。在此过程中,朝鲜文人逐渐突破传统观念的束缚,重视通俗小说的创作与批评,形成了具有本国特色的通俗小说观念。In the Ly Dynasty,when men of letters in Korea read popular Chinese novels and novels written in Chinese in their own country,they’d often express their feelings in the form of a preface or a postscript,thus becoming important material displaying concepts of popular fiction by Korean men of letters.In the beginning,under the double influence of Chinese concepts of popular fiction and the Confucian concepts in Korea,knowledge of popular Chinese fiction by Korean men of letters appeared to be contradictory.By the middle Ly Dynasty,Korean readers began forming the fictional view in which moral values and social utility served as standards for evaluation and they began discussing issues like genres and nature of fictionalization.By the late Ly Dynasty,the Korean views of fiction grew further mature as they gradually gave up evaluating fiction with moral values as the only standard and began on a deep exploration of things like purposes of literary creation and characteristics of style.In the process,Korean men of letters gradually broke with the confinements of traditional views as they emphasized the creation and criticism of popular fiction,forming views of popular fiction of their own characteristics.
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