湖南花鼓戏剧种形态的当代理论研究述评  

A Review of the Contemporary Theoretical Research on the Forms of Hunan Huagu Drama

作　　者：周勇[1] ZHOU Yong(School of Arts,Hunan City University,Yiyang,Hunan 413000,China)

机构地区：[1]湖南城市学院艺术学院,湖南益阳413000

出　　处：《城市学刊》2021年第2期67-72,共6页Journal of Urban Studies

基　　金：湖南省哲学社会科学基金项目(17YBA068)。

摘　　要：湖南花鼓戏剧种形态的当代理论研究对于花鼓戏文化自信的确立、剧种地位的巩固以及未来改革发展的推动都有着非常重要的基础作用。湖南花鼓戏剧种形态的既有理论研究涵盖历史源流、剧目剧本、现状与传承、表演特征及与民族声乐关系诸方面,对湖南花鼓戏班社、剧目、表演、语言、舞美、演员等剧种形态在时间、空间上的动态变化进行了全方位阐述。然而,结合现实语境,从文化学、人类学、美学角度,还可以在关注受众的审美意蕴和社会认知功能等方面深入拓展。The contemporary theoretical research on the forms of Hunan Huagu opera plays a key role in establishing the cultural confidence of Huagu opera,consolidating the status of the genre,and promoting its future reform and development.The existing theoretical research of Hunan Huagu drama genre forms covers the historical origin,repertoire script,current situation and inheritance,performance characteristics and the relationship with national vocal music.This paper expounds the dynamic changes of Hunan Huagu troupe,repertoire,performance,language,dance beauty and actors in time and space.However,from the perspective of culture,anthropology and aesthetics,more attention can be paid to the aesthetic implication and social cognitive function of the audience.

关 键 词：湖南花鼓戏 剧种形态 历史源流 

分 类 号：J8[艺术—戏剧戏曲]