非自由状态下超脱自我的“零余者”形象——从修辞心理学视野解构《春风沉醉的晚上》  

The Image of the“Zero Redundant”Who is Free from the Self in the State of Non-freedom——Deconstructing"Warm Spring Night"from the Perspective of Rhetorical Psychology

作　　者：钟艳萍 ZHONG Yanping(College of Literature,Fujian Normal University,Fuzhou 350007 China)

机构地区：[1]福建师范大学文学院,福州350007

出　　处：《四川职业技术学院学报》2021年第2期109-113,共5页Journal of Sichuan Vocational and Technical College

摘　　要：《春风沉醉的晚上》是郁达夫极具艺术魅力的一篇小说,作者通过比喻、映衬、别解等一系列修辞手段刻画出了一个栩栩如生的角色“我”,使得读者在阅读时不自觉地与作品、作者进行交流。通过修辞与想象、联想、注意等心理机制结合,揭示“我”在物质、精神、思想和自我意识等方面的状况,指出“我”在修辞心理学中表现的时代特征以及“我”所呈现的对现实、性、人生的思考,体现了小说较高的艺术魅力和修辞价值。"Warm Spring Night"is a very charming novel by Yu Dafu.The author portrays a lifelike character"I"through a series of rhetorical means such as metaphors,contrast,separation,and other explanations,which make readers unconsciously communicate with the works and the author when reading.Through the combination of rhetoric and psychological mechanisms such as imagination,association,and attention,it reveals the status of"I"in terms of material,spirit,thought and self-awareness,and points out the characteristics of the times expressed by"I"in rhetorical psychology and what the"I"presents the thinking on reality,sex,and life,which reflects the higher artistic charm and rhetorical value of the novel.

关 键 词：《春风沉醉的晚上》 修辞 文本建构 “零余者” 

分 类 号：I207.427[文学—中国文学]