中韩电影中的“娜拉出走”与婚姻困境比较——以《一句顶一万句》与《偷情家族》为例  

Comparison of “Nora Left” and Marriage Dilemma in Chinese and Korean Movies——Taking Someone to Talk to and A Good Lawyer's Wife as Examples

作　　者：李忠敏 LI Zhongmin(College of Humanities and Social Sciences, Xi'an Polytechnic University, Xi'an 710048, China)

机构地区：[1]西安工程大学人文社会科学学院,陕西西安710048

出　　处：《沈阳大学学报（社会科学版）》2021年第2期212-216,228,共6页Journal of Shenyang University:Social Science

基　　金：西安工程大学博士科研启动基金资助项目(20180402)。

摘　　要：分析和比较了《一句顶一万句》《偷情家族》中韩电影中“娜拉出走”背后婚姻困境及男女性形象的异同,阐明了两部作品中当代社会婚姻危机的根源即为女性的崛起和男性的式微,提出了无论是支撑韩国近代核心家庭结构的父权制度,还是深刻影响着中国家庭结构变迁的儒家思想,两者对于女性作为独立人格和欲望主体的存在仍然缺乏正确的认知和真诚的观照。By analyzing and comparing the similarities and differences of marriage dilemma and male and female images behind“Nora left”in movies Someone to Talk to and A Good Lawyer's Wife,this paper clarifies that the root of the contemporary social marriage crisis in the two works of different countries is the rise of women and the decline of men.It believes that whether it is the patriarchal system supporting the nuclear family structure in modern Republic of Korea,or the profound influence with the change of Chinese family structure in Confucianism,both of them still lack correct cognition and sincere consideration of the existence to women as independent personality and desire subject.

关 键 词：中韩电影 “娜拉出走” 婚姻困境 《一句顶一万句》 《偷情家族》 

分 类 号：J974.9[艺术—电影电视艺术]