论民国时期的“中国女性文学史”书写  

On the Writing of“the History of Chinese Women’s Literature”During the Republic of China

作　　者：王少芳 陈文新 Wang Shaofang;Chen Wenxin

机构地区：[1]武汉大学国学院文学院,湖北武汉430072

出　　处：《南京师范大学文学院学报》2021年第1期24-33,共10页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金重大招标项目“中国文学史著作整理、研究及数据库建设”(17ZDA243)。

摘　　要：民国时期的“中国女性文学史”书写,以谢无量《中国妇女文学史》、梁乙真《中国妇女文学史纲》、谭正璧《中国女性文学史》为代表。谢无量出道较早,与谭、梁之间隔了“五四”文学论争,无论是“文学”观,还是女性观,都与“新文化”有较多差异;谭正璧的激进色彩尤为鲜明;梁乙真则介于谢、谭之间。就叙述对象而言,谢无量以诗文词赋为主,收录了为数不少的书、颂、赞、铭、疏、表、序等;谭正璧重视弹词、小说等俗文学、平民文学和“情之文学”;梁乙真则注重作品在文学史上的实际影响。就女性观而言,虽然他们有着肯定男女平等、支持女性解放的共同目标,但其“男女平等”的具体内涵、实行路径等,存在诸多不同。他们文化姿态的区别,与其不同的学术世代大体对应。The writing of“the history of Chinese women’s literature”during the Republic of China was represented by Xie Wuliang’s History of Chinese Women’s Literature,Liang Yizhen’s Outline of the History of Chinese Women’s Literature and Tan Zhengbi’s History of Chinese Women’s Literature.Xie Wuliang started his career earlier,separated from Tan and Liang by the May 4th literary debate,both his view on literature and on women are quite different from“the new culture generation”.Tan zhengbi is more radical,while Liang Yizhen is in between Xie and Tan.In terms of the objects of narrative,Xie mainly focuses on poetry,prose,ci and fu,including a large number of practical writings such as letters,prefaces,epitaphs,inscriptions,etc..Tan pays attention to popular literature such as tanci or lyric storytelling,novels,civilian literature and“erotic literature”;Liang pays attention to the substantial influence of works in the history of literature.In terms of their view of women,although they share the common goal of affirming gender equality and supporting women’s liberation,they are different in the specific connotation and implementation path of“gender equality”.Their different cultural attitudes are roughly corresponding to their different academic generations.

关 键 词：民国时期 女性文学史 谢无量 谭正璧 梁乙真 

分 类 号：I209[文学—中国文学]