哥廷根-魏玛:揭开“世界文学”之谜  

Gottingen-Weimar:Uncovering the Mystery of“World Literature”

作　　者：李葆嘉[1] Li Baojia

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2021年第1期64-75,共12页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：本文通过一手文献勾稽,梳理“世界文学”这一术语或概念的来源及传播线索:施勒策尔(1773)→维兰德(1790)→福斯塔(1791)→赫尔德(1796)→奥•施莱格尔(1803)→歌德(1827)。对“世界文学”的理解,大体可归纳为三种:(1)Weltlitteratur/Literatur aller Welt,世界各地文学或世界性文学综合体;(2)Weltlitteratur,国际都会的精致文学;(3)Kosmopolitismus/Weltliteratur,具有世界价值的文学。哥廷根学者提出并经魏玛学者传播的“世界文学”,与莫霍夫(1682)的“总体文学”理念存在联系。再向前追溯,欧洲学术的“总体历史观”来自16~17世纪荷兰学派的语言关系总体观。By first-hand literature,this paper makes a critical state-of-art of the terminology of“world literature”,its origin and transmission route:Schl zer 1773→Wieland 1790→Forster 1791→Herder 1796→Schlegel 1803→Goethe 1827.Based on this route,“world literature”can be summarized as:1)Weltlitteratur/Literatur aller Welt,literature around the world or worldwide literary complex;2)Weltlitteratur,the finest literature in metropolitan cities;3)Kosmopolitismus/Weltliteratur,the literature with international value.The G ttingen scholars proposed that“world literature”spreaded by Weimar scholars was related to the concept of“general literature”raised by Morhof(1682)in the late 17th century.Tracing back further,the“overall view of history”in European academic research comes from the sight of language family relation research of Dutch school in the 16th and 17th century.

关 键 词：世界文学 施勒策尔 哥廷根和魏玛 总体文学 总体观 

分 类 号：I109.4[文学—世界文学]