论张炎宋词殿军的词史地位  

On Zhang Yan’s Position as the Last Great Master in the History of Ci as the last poet

作　　者：孙虹 田嘉怡 Sun Hong;Tian Jiayi

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《南京师范大学文学院学报》2021年第1期159-167,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社会科学基金后期资助项目“宋词殿军张炎研究”(编号:18FZW024)。

摘　　要：张炎词风,宋元之际邓牧、陆辅之早有评价,认为其特点是兼融北宋周邦彦词之典丽、南宋姜夔词之骚雅,并且摒弃了周词赋情俚俗、姜词恣肆疏率而自成一体。张炎词论《词源》、词集《山中白云词》在元朝是合刊本,孔齐指为“首论作词之法,备述其要旨”,证明其词是在词学理论指导下的范本创作,而《词源》又是两宋特别是晚宋词学重要的组成部分。沈义父、邓牧、陆辅之等人的评述,与《词源》共同构成了最为原始的张词兼融两宋典丽骚雅词质并形成独特词风的阐释语境,这是后人评定玉田是宋词光辉结束者的基础,张炎的词史地位亦由斯而定。According to Deng Mu and Lu Fuzhi’s commentary between the Song and Yuan dynasties,the style of Zhang Yan’s Ci poem is characterized with an emerge of both the Northern Song dynasty’s classic beauty represented by Zhou Bangyan,and the Southern Song dynasty’s elegancy represented by Jiang Kui,and at same time abandoned Zhou’s vulgar and Jiang’s reckless,thus formed his own unique style.Actually Zhang Yan’s famous Ci theory Ci Yuan and his own Ci poems was published together in the Yuan dynasty,as commented by Kong Qi“he first discussed the rule of Ci poem and elaborated it in details”,his Ci poems are just the samples of his own theory of Ci,while Ci Yuan is an important part of the Ci poetry of the two Song dynasties,especially of the later Song dynasty.Therefore,the commentary by Shen Yifu,Deng Mu,Lu Fuzhi and others,together with Ci Yuan itself constituted the primitive interpretation context for Zhang Yan’s Ci poem style which is a blending of both Northern Song and Southern Song styles.This is the basis for the later critics determine that Zhang Yan is the glorious end of the Ci poetry.

关 键 词：张炎 两宋词质 典丽骚雅 浑成精粹 词史地位 

分 类 号：I207.23[文学—中国文学]