雅辛娜长篇小说《我的孩子们》中的童话书写  

The Fairy Tale Writing in The Children of Volga

作　　者：陈方[1] Chen Fang

机构地区：[1]中国人民大学外国语学院

出　　处：《俄罗斯文艺》2021年第2期88-94,共7页Russian Literature & Arts

摘　　要：童话书写是俄罗斯作家雅辛娜长篇新作《我的孩子们》中的一个突出手法,在小说的时空结构、情节线索和人物形象等方面均有体现。本文对《我的孩子们》中的童话书写展开分析,对现实时空和童话时空进行比较,关注童话文本和小说文本既融合又对抗的特征。童话书写作为这部小说的主要诗学手段,对作品整体风格的营造、作者思想的表达均起到了不可或缺的作用。在以现实主义风格为主的叙述中,童话书写赋予作品以田园诗般的浪漫气息,大胆的幻想和超现实主义情节又赋予其魔幻现实主义的色彩,使这部作品成为一种"体裁的合成体"。雅辛娜用童话书写对现实进行抵抗,在童话书写中探索诗性精神的深层内核,以博大的悲悯和同情表现出宽泛意义上的普世情怀,呈现出一种超越苦难的精神力量。Fairy tale writing is a prominent feature of Russian writer Guzel Yakhina’s The Children of Volga, which is reflected in the time-space structure, themes and images of the novel. This paper analyzes the fairy tale writing in the novel, comparing the chronotope of the real world and fairy tale world and focusing on the integration and confrontation of the fairy tales’ and novel’s texts. Fairy tale writing, as the main poetic means throughout the novel, plays an indispensable role in the style, genre and the interpretation of the author’s thoughts. In the narration dominated by realism style, fairy tales give the novel an idyllic romantic atmosphere, while the bold fantasy and surrealist plots give the novel some characteristics of magic realism, which makes the text become a kind of genre synthesis. Yakhina resists the reality with the fairy tale writing, and explores the deep core of poetic spirit in it. She shows universal feelings in a broad sense with deep compassion and sympathy, and presents a spiritual strength beyond human sufferings.

关 键 词：《我的孩子们》 童话书写 雅辛娜 

分 类 号：I512.074[文学—其他各国文学]