政论或文学?——陀思妥耶夫斯基《作家日记》体裁辨析  

Political Comment or Literature?——An Analysis of the Genre of Dostoevsky’s Writer’s Diary

作　　者：马文颖[1] Ma Wenying

机构地区：[1]四川大学外国语学院

出　　处：《俄罗斯文艺》2021年第2期119-127,共9页Russian Literature & Arts

基　　金：国家社科基金青年项目“陀思妥耶夫斯基《作家日记》研究”(18CWW011)的阶段性成果。

摘　　要：陀思妥耶夫斯基《作家日记》的体裁问题一直以来都是学界争论的焦点,从《日记》发行开始,关于其政论性和文学性的讨论就没有停止过。本文从日记本身的体裁出发,探讨日记在19世纪与政论、文学的关系,并通过陀思妥耶夫斯基70年代占据其创作中心地位的杂文的创作特点,结合巴赫金与《日记》的关系来探讨《日记》体裁的多样性和复杂性,以期梳理清楚《日记》体裁的动态变化,对《日记》体裁给出相对客观的判定。The genre of Dostoevsky’s Writer’s Diary has always been the focus of academic debate. Since the publication of Writer’s Diary, discussions on its political and literary nature have never stopped. Starting from the genre of the diary itself, this paper explores the relationship between the diary, political comment and literature in the 19 th century. This paper uses the creative characteristics of Dostoevsky’s essays that occupied the center of his creation in the 1870 s and Bakhtin’s opinion to discuss the diversity and complexity of the genre of Writer’s Diary. This paper aims to sort out the trajectory of the genre change in Writer’s Diary and provide a relatively objective opinion on the genre of Writer’s Diary.

关 键 词：陀斯妥耶夫斯基 作家日记 政论性 文学性 

分 类 号：I512.06[文学—其他各国文学]