19世纪俄罗斯文学中的舞会——以巴赫金时空体理论为视角  

A Study of the Ball Phenomenon in Russian Literature in the 19^(th)Century—From the Perspective of Bakhtin’s Chronotope Theory

作　　者：郑晔 许宏 Zheng Ye;Xu Hong

机构地区：[1]上海外国语大学俄罗斯东欧中亚学院

出　　处：《俄罗斯文艺》2021年第2期139-148,共10页Russian Literature & Arts

摘　　要：舞会作为俄罗斯贵族日常生活的重要组成部分,常常成为19世纪作家描绘的对象。文学中的舞会不仅仅是一种社会和文化空间,还具有自身的时间形式,巴赫金的时空体理论为研究该现象提供了新的视角。在文学作品中,舞会有着独特的功能,它是展现时代风貌的园地,演绎情感纠葛的场所,展示人物"相逢"的场地,呈现"考验"情节的处所,承载着再现社会与生活的重任。As an important part of the daily life of the Russian aristocracy,the ball is often described by writers in the 19^(th)century.The ball in literature is not only a social and cultural space,but also has its own time form.Bakhtin’s theory of chronotope provides a new perspective for studying this phenomenon.In literary works,the ball has a unique function.It is a place to show the style of the times,a place to show emotional disputes,a place to show characters"meeting",a place to present the"test"plot,and it bears the heavy responsibility of reproducing society and life.

关 键 词：19世纪俄罗斯文学 巴赫金 时空体 舞会 

分 类 号：I512.06[文学—其他各国文学]