海底百年英魂的浮光掠影——甲午沉舰考古调查中的水下摄影技术  

The Fleeting Images of a Hundred-Year-Old Soul at the Bottom of the Sea——Underwater Photography Technology in the Archaeological Investigation of the Wreck of Warship in the First Sino-Japanese Naval Battle

作　　者：黎飞艳 LI Feiyan(Guangdong Provincial Institute of Cultral Relics and Archaeology,Guangzhou Guangdong 510080,China)

机构地区：[1]广东省文物考古研究所,广东广州510080

出　　处：《自然与文化遗产研究》2021年第2期80-91,共12页Study on Natural and Cultural Heritage

摘　　要：作为一名水下考古摄影师,笔者参与了致远、经远、定远舰等甲午沉舰的水下考古调查工作,跟踪记录从发现到确认的全过程,记录了考古队员们开展的各项工作和陆续发现的各个静止不动的水下遗迹现象和遗物。面对复杂多变的海洋环境,水下摄影师需要掌握过硬的潜水技巧和高超的摄影技术,通过对水下迹象的理解,掌控手里的镜头,艰难捕捉一张张沉淀着近代历史记忆的浮光掠影。文章以水下考古摄影师的身份,向大家介绍如何通过水下镜头触摸和展现北洋海军沉舰的发掘过程以及水下考古摄影应具备的技术方法。As an underwater archaeology photographer,the author participated in the underwater archaeological investigation of Zhiyuan,Jingyuan,Dingyuan and other warships sunk during the First Sino-Japanese Naval Battle,tracking and recording the complete process from discovery to confirmation,recording the work carried out by the archaeologists and the various static underwater relics discovered.Navigating the complex underwater conditions,an underwater photographer requires high level of diving and photography skills in order to capture images containing historical memories.As an underwater archeological photographer,the author reveals the technique to record the excavation process of the wreck of warship of the Northern Fleet through underwater lens,as well as other required technical methods of underwater archeological photography.

关 键 词：水下考古 摄影技术 北洋舰队 甲午沉舰 

分 类 号：K854[历史地理—考古学及博物馆学]