壶中天地、山水再现与天然意趣:晚明太仓弇山园的多样叠山意象及其营造研究  

Universe in Pot,Landscape Representation and Natural Atmosphere:Research on the Multiple Rockery Images and Their Mak ing of Yanshan Garden in Late Ming Taicang

作　　者：戴文翼 顾凯[1] DAI Wenyi;GU Kai

机构地区：[1]东南大学建筑学院景观学系,南京210096

出　　处：《中国园林》2021年第4期139-144,共6页Chinese Landscape Architecture

基　　金：国家自然科学基金项目“游观体验视角下的明清江南园林假山景境营造研究”(编号51678133)资助。

摘　　要：弇山园是晚明的江南名园,以山景营造为重要特点。该园的主体建设延亘数年,3座不同时期营建的假山具有各异的叠山意象,分别可概括为壶中天地、山水再现和天然意趣,此三者均为园林叠山的重要主题。旨在通过对"三弇"的分析,揭示出此3种叠山意象在晚明江南园林中是如何借由具体营造实现的,这些意象的历史脉络又是如何发端、延续和变迁的,从而在传统叠山的意象与营造两者间架设桥梁。Yanshan Garden was regarded as a famous garden in the Jiangnan area in the late Ming Dynasty,with mountain scenery as its important feature.The construction of the main body of the garden lasted for several years.The three rockeries were built in different periods,and had different images of rockery making,which could be summarized as universe in the pot,landscape representation and natural atmosphere.All of the images were important themes of rockery making in the garden.This article aims to reveal how these three kinds of rockery making images were realized through concrete construction in Jiangnan gardens in the late Ming Dynasty,and how the historical context of these images originated,continued and changed,so as to build a bridge between the traditional rockery images and their making.

关 键 词：风景园林 弇山园 叠山意象 壶中天地 山水再现 天然意趣 

分 类 号：TU986[建筑科学—城市规划与设计]