《洛神赋》中的隐喻世界  

A Cognitive Approach to the Conceptual Metaphors in LuoshenFu(《洛神赋》)

作　　者：韩涛[1] Han Tao(School of Japanese and International Studies,Beijing Foreign Studies University,Beijing 100089,China)

机构地区：[1]北京外国语大学日语学院,北京100089

出　　处：《现代语文》2021年第1期63-68,共6页Modern Chinese

基　　金：国家社科基金项目“基于大规模自建语料库的日本近现代文学作品中爱情隐喻模式系统性研究”(18BYY225)。

摘　　要：从认知语言学视角出发,基于概念隐喻理论,对《洛神赋》中的隐喻表达进行全面系统的梳理和分析,探讨语言背后的隐喻模式及其与魏晋时期社会、文化之间的关系。研究发现:1.文中的29例隐喻表达大多数属于存在链隐喻,且下行隐喻明显多于上行隐喻;2.爱情隐喻模式主要有“吸引力”“整体”“旅程”“美玉”4种类型;3.《洛神赋》中的概念隐喻在一定程度上体现了魏晋时期的文化精神特征;4.通过与《诗经》对比发现,二者在隐喻创造力上具有一脉相承的关系。Based on the theory of conceptual metaphor and from the perspective of cognitive linguistics,this paper makes a comprehensive and systematic analysis of the metaphorical expressions in the ode to LuoshenFu(《洛神赋》),discusses the metaphorical patterns behind the language and the relationship between the metaphors and the society and culture in the Wei and Jin Dynasties.The results show that:First,most of the 29 identified metaphors belong to existential chain metaphors,and the downward metaphors are significantly more than the upward metaphors.Second,among them,there are four types of Love Metaphors:attraction,wholeness,journey and beauty jade.Third,to some extent,the conceptual metaphor in LuoshenFu(《洛神赋》)reflects the cultural and spiritual characteristics of Wei and Jin Dynasties.Fourth,Compared with The Book of Songs(《诗经》),it is found that they have the same origin in metaphorical creativity.

关 键 词：《洛神赋》 概念隐喻 存在链隐喻 爱情隐喻 

分 类 号：I207.22[文学—中国文学]