论《金瓶梅词话》对“逾墙”母题的继承与创新  

Inheritance and Innovation on the Motif of"Surpassing the wall"in Jin Ping Mei Ci-hua

作　　者：苏旎尔 SU Ni′er(Office of Academic Research, Inner Mongolia Open University, Huhhot Inner Mongolia 010011, China)

机构地区：[1]内蒙古开放大学科研处,内蒙古呼和浩特010011

出　　处：《江苏科技大学学报（社会科学版）》2021年第1期55-60,共6页Journal of Jiangsu University of Science and Technology(Social Science Edition)

摘　　要：在中国古代文学作品中,叙写青年男女因追求爱情而“逾墙”的文学作品不胜枚举,这一行为以类型化的结构或程式化的言说形态,反复出现于不同文本之中,逐渐形成了一个相对独立的故事系列,成为中国文学作品的经典母题。“逾墙”母题的产生与流行,既与封建道德礼教观念有密切关系,也符合人类的情感诉求和发展愿景,见证了个体面对社会的复杂心理。通过梳理和对比前代文本中的“逾墙”故事可以发现,《金瓶梅词话》对“逾墙”母题再创作表现出三点特征:一是突破前人故事窠臼,设置情爱财货的双重叙事线索;二是衔接多个时空场景,搭建善恶有报的循环叙事结构;三是扭转既定话语形态,摆脱男权中心的道德评判标准。In Chinese ancient literature works,there are numerous legends and stories about young men and women"surpassing the wall"in pursuit of love.The emergence and popularity of this motif is closely related to feudal moral and ethical concepts.At the same time,it meets the emotional demands of human beings.Through analyzing the episodes of"surpassing the wall"in early texts,the article demonstrates the three features of this version of Jin Ping Mei Ci-hua on recreating the motif of"surpassing the wall",including breaking the mold of previous stories and setting the dual narrative line of love affairs and profits,connecting multiple spatiotemporal scenes and constructing the circular narrative structure of retribution as well as overturning the fixed linguistic form and getting rid of the moral standards of male-dominated.

关 键 词：母题 逾墙 金瓶梅 词话本 财货 

分 类 号：I207.419[文学—中国文学]