分合之间:薛宝钗诗歌评与写的二重性分析  

Between Separation and Integrity: Duality of Xue Baochai′s Comments and Composition of Poems

作　　者：贺敬雯 何等红 HE Jingwen;HE Denghong(School of Liberal Arts, MinZu University of China, Beijing 100081, China;School of Humanities,Pu′er University, Pu′re Yunnan 665099, China)

机构地区：[1]中央民族大学文学院,北京100081 [2]普洱学院人文学院,云南普洱665099

出　　处：《江苏科技大学学报（社会科学版）》2021年第1期61-65,共5页Journal of Jiangsu University of Science and Technology(Social Science Edition)

摘　　要：薛宝钗的诗评与诗作是《红楼梦》中所着力描绘的内容之一,显示了深厚的传统文化底蕴。薛宝钗的诗评主张寄兴写情、不喜限韵、立意清新,但其具体诗歌创作与其诗评既有切合又有游离。薛宝钗的诗评与诗作之所以未能完全统一,与版本流传和修订过程中诗词作者的变动有关,体现了作者对薛宝钗复杂性格塑造的考量。此外,理想状态与现实创作难以统一的普遍问题,也是产生此种状况的重要原因。As one of the most important female roles in A Dream of Red Mansions, Xue Baochai′s poetry criticism and poem composition cannot be ignored, which demonstrates profound traditional culture literacy. Xue Baochai′s poetry criticism advocates writing emotions, not liking rhyme and fresh conception, but her specific poetry creation was both relevant and free from her poetry criticism. The reason why Xue Baochai′s poetry criticism and poems are not completely unified is related to the changes in the authors of poems during the circulation and revision of the versions, as well as the author′s consideration of the shaping of Xue Baochai′s complicated character. In addition, it is also influenced by the common phenomenon that the author′s own ideal state and realistic creation logic are difficult to unify.

关 键 词：《红楼梦》 薛宝钗 诗评 诗歌创作 

分 类 号：I242.4[文学—中国文学]