刘苗苗电影中的地域基因、心灵治愈与诗意美学——以《红花绿叶》为中心  

Regional Factor,Spiritual Healing and Poetic Aesthetics in LIU Miaomiao's Films with Reference to Red Flowers and Green Leaves

作　　者：孙萌[1] SUN Meng(Research Institute of Film&TV,Chinese National Academy of Arts,Beijing 100012,China)

机构地区：[1]中国艺术研究院电影电视研究所,北京100012

出　　处：《贵州大学学报（艺术版）》2021年第2期55-60,共6页Journal of Guizhou University Art Edition

摘　　要：刘苗苗在《红花绿叶》《杂嘴子》《马蹄声碎》等影片中以真诚、质朴、纯粹的创作态度,将自我与生命投入到每一个镜头,呈现出人性的美好、善良、仁慈与宽容,让人们看到西北部苦寒的土地上,瘀伤疤痕处开出了绚烂的生命之花,抚慰人心。这些电影凝结地理空间、历史时间与诗情画意,从叙事结构、演员表演到辽阔的西部景观,都有一种被“陌生化”处理后生成的诗意,云淡风轻,沁人心脾,在深情脉脉中反映了人类理念、悲悯的情怀与重生的喜悦。这些影片有着作者电影的质地,简单精致,饱含着创作者独特的生命体验和生命态度,看似单纯平淡,实则静水深流,是刘苗苗导演对自己人生的独特体会,充满了人文情怀与神性光辉。With a sincere,rustic and pure creative attitude,films Red Flowers and Green Leaves,Chatterbox,and Women on the Long March directed by LIU Miaomiao put oneself and life into every shot,displaying the beauty,kindness,benevolence and tolerance of human nature to make people marvel at the gorgeous flowers of life blooming on the cold barren land in the northwest thus to soothe people’s hearts.These films integrate the geographical space,historical time and poetic charm with narrative structure,actors’performance and vast landscape of Western China,which all are penetrated with a certain poetic flavor with“defamiliarization”in a light,refreshing and affectionate touch,reflecting the idea of human,compassionate feelings and the joy of regeneration.These films acquire the attributes of the author film,plain and exquisite,full of the creator’s unique life experience and attitude,seemingly simple and plain.But actually just as still waters run deep,in them are their director LIU Miaomiao’s unique life experience,filled with humanity and divinity.

关 键 词：地域基因 心灵治愈 诗意美学 作者电影 

分 类 号：J903[艺术—电影电视艺术]