开封山陕甘会馆中的砖石雕艺术模式解析  

Analysis on Brick and Stone Carving Art Model in Shan-Shaan-Gan Guild Hall,Kaifeng

作　　者：何利菲 冯柯[1] He Lifei;Feng Ke(School of Civil Engineering and Architecture,Henan University,Kaifeng Henan 475004,China)

机构地区：[1]河南大学土木建筑学院,河南开封475004

出　　处：《城市建筑》2021年第8期137-139,143,共4页Urbanism and Architecture

摘　　要：开封山陕甘会馆的建筑装饰中砖石雕刻内容丰富,风格复杂,是清代会馆现有建筑装饰的代表。建筑构件上的图案装饰完美地反映了自然环境、传统哲学、文化传统以及地域习俗和文化的融合。它是古代劳动人民的辉煌创造和努力留下的极其宝贵的文化遗产。对其中的装饰雕刻模式进行研究和分析,有助于了解清代开封的社会状况和商业文明;有利于弘扬中华传统艺术精神,促进中华民族和地域文化的繁荣;有助于实现人与自然、人与人之间的和谐理想。The masonry carvings in the architectural decoration of Shan-Shaan-Gan Guild Hall in Kaifeng are rich in content and complex in style.They are representative of the existing architectural decoration of the Qing Dynasty Guild Hall.The pattern decoration on the building components perfectly reflects the natural environment,traditional philosophy,cultural tradition,and the integration of regional customs and culture.It is an extremely precious cultural heritage left by the brilliant creation and efforts of the ancient working people.The research and analysis of the decorative carving patterns will help to understand the social conditions and commercial civilization of Kaifeng in the Qing Dynasty,promote the spirit of traditional Chinese art,and promote the prosperity of the Chinese nation and regional culture.It helps to realize the ideal harmony between human and nature,human and human.

关 键 词：雕刻 山陕甘会馆 装饰 砖石雕 

分 类 号：TU-85[艺术—艺术设计]