汲取·映照·问道:武侠小说与武侠电影  

Deriving,Reflecting&Inquiring:Martial Art Novels&Martial Art Movies

作　　者：刘春[1] Liu Chun

机构地区：[1]上海社会科学院文学研究所

出　　处：《上海文化》2021年第4期63-71,共9页Shanghai Culture

摘　　要：作为最能体现中国文化特征也是最早萌发"类型"意识、最为成熟的商业类型,武侠电影在其发展过程中深受武侠小说的影响。武侠小说不仅为改编成的武侠电影提供人物、情节、价值归属和潜在观众,也为武侠电影的几次浪潮推波助澜。不同时期武侠电影对武侠小说不同改编方式的选择,是具体历史文化语境中多种因素合力的结果,而两者之间的关系并不局限于两种艺术媒介的相互影响和转换,更蕴含着海德格尔"存在"意义上的现代认知。在媒介融合趋势下,辩证地"再现"武侠小说中以意境和"灵韵"为表征的侠义之"道",或许能够突破武侠电影"武"愈神乎其技、"侠"愈扁平隐匿的弊端。As a commercial type which can best reflect the characteristics of Chinese culture,martial art movie is also the earliest germination of"gene"consciousness and the most mature,martial art film,which is deeply influenced by martial art novels in its development process.Martial art novels not only provide characters,plots,value attribution and potential audience for the adaptation of martial art movies,but also contribute to several production waves of martial art movies.The choice of different adaptations of martial art novels by martial art films in different periods is the result of the combination of various factors in the specific historical and cultural context.The relationship between the two is not limited to the interaction and transformation from text to image art media,but also contains Heidegger’s modern cognition in the sense of"existence".Under the trend of media convergence,dialectically"representing"the chivalrous"Dao"emphasized by artistic conception and aura in martial art novels may be able to break through the shortcomings of martial art movies,which are more magical and more flat.

关 键 词：武侠小说 武侠电影 改编电影 媒介转换 

分 类 号：I207.42[文学—中国文学] J905[艺术—电影电视艺术]