19世纪意大利歌剧的传播:复兴运动背景下的文化融合与政治色彩  

The Spread of Italian Opera in the Nineteenth Century:Cultural Fusion and Political Style in Italian Revival

作　　者：许艳玲[1] XU Yan-ling(School of Music Educational,Shenyang Conservatory of Musci,Shenyang,Liaoning 110818)

机构地区：[1]沈阳音乐学院音乐教育学院,辽宁沈阳110818

出　　处：《艺术百家》2021年第2期131-136,共6页Hundred Schools In Arts

基　　金：国家自然科学基金“贸易开放与中国文化多样性变迁”(项目编号:71863032)的阶段性成果之一。

摘　　要：19世纪的意大利正处于复兴运动时期,现实世界和艺术思维的碰撞迸发出诸多优秀的作曲家和歌剧作品,并在整个欧洲范围广泛传播,形成了当时人们在歌剧创作中普遍追求的"意大利化"。对此,我们将歌剧作为文化体系和历史背景的一个现实反映来对这一段音乐史重新进行考察,在探索19世纪意大利歌剧创作与传播的同时,也对社会历史赋予它的文化融合性与政治意识性进行了梳理分析。研究发现,19世纪意大利歌剧发展历史的缩影就是对整体文化和社会发展的一个复制,是在歌剧家创作构思和政治意识觉醒方面的具体写实。In the 19th century,Italy was in the period of revival.The collision between the real world and artistic thinking broke out many excellent composers and opera works,which were widely spread throughout Europe,forming the"Italianization"that people generally pursued in opera creation at that time.In this regard,we take opera as a realistic reflection of the cultural system and historical background to re-examine this period of musical history,explore the creation and dissemination of Italian opera in the 19th century,and at the same time,comb and analyze the cultural integration and political consciousness endowed by social history.It is found that the epitome of the development history of Italian opera in the 19th century is a copy of the overall cultural and social development,which is a concrete reality in terms of the creative conception and awakening of political consciousness of opera singers.

关 键 词：意大利歌剧 19世纪 复兴运动 文化融合 政治色彩 

分 类 号：J60[艺术—音乐]