论ECFA对台湾电影及两岸合拍片的影响  

Effects of ECFA on Taiwan Films and Cross-Strait Films

作　　者：孙慰川[1] 王帅 SUN Wei-chuan;WANG Shuai(Nanjing Normal University,Nanjing Jiangsu,210097;Huaiyin Normal University,Huaian Jiangsu,223300)

机构地区：[1]南京师范大学文学院,江苏南京210097 [2]淮阴师范学院传媒学院,江苏淮安223300

出　　处：《艺术百家》2021年第2期159-163,216,共6页Hundred Schools In Arts

基　　金：2016年度全国艺术科学规划项目“ECFA时代的台湾电影及两岸合拍片研究”(项目编号:16DC20)阶段性成果之一。

摘　　要：ECFA及其配套协议的实施对台湾电影生态圈产生了重大影响,助力台湾电影在产制方面的复兴,本土影片的票房和市场占有率亦显著上升。在ECFA时代的台湾影片中,祖国大陆人士的负面刻板形象被解构,呈现出真实、生动、可爱的面貌。两岸电影的跨区域合作成为ECFA时代台湾电影最重要的生产模式之一。两岸电影业的合作在一段时间内越来越朝着全方位、宽领域、专业化的方向迈进,交流也日趋紧密。两岸合拍片则大多致力于书写两岸同胞共同的集体记忆与民族情感,并构建清晰、正确的国族认同。The implementation of the ECFA and its supporting agreements has had a significant impact on the ecological circle of Taiwan films,helping to revive the production system of Taiwan films,and also significantly increasing the box office and market share.During the ECFA era of Taiwan film,the negative stereotype of mainland people was deconstructed,and presented a real,vivid and lovely face.Cross—regional cooperation between the two sides has become one of the most important production modes of Taiwan films in the ECFA era.The cooperation between the film industry on both sides of the strait is increasingly moving towards the direction of omni—directional,wide field and specialization,and the exchange is also becoming closer and closer.Cross—Strait films are mostly devoted to writing a common set body memory and national emotion,and construct clear and correct national identity.

关 键 词：台湾电影 两岸合拍片 ECFA 

分 类 号：J90[艺术—电影电视艺术]