磁州窑“铁锈花”装饰再表达--以现代“陶艺铁绘”壁画为例  

Re-representation of Iron Rust Glazed Decoration in Cizhou Kiln:Take the Modern Mural "Pottery Art and Iron Painting" as an Example

作　　者：邱一峰 QIU Yi-feng(College of Arts,Heilongjiang University,Harbin,Heilongjiang 150080)

机构地区：[1]黑龙江大学艺术学院,黑龙江哈尔滨150080

出　　处：《艺术百家》2021年第2期188-193,220,共7页Hundred Schools In Arts

基　　金：2021年度杭州市哲学社会科学常规性规划课题“钱塘江流域青瓷历史文脉梳理及传承路径研究”(项目编号:Z21JC080)阶段性成果;2017年度黑龙江省省属高校基本科研业务费科研项目“黑龙江省优秀传统手工技艺可持续性传承模式的研究”(项目编号:HDRC201731)阶段性成果之一。

摘　　要：“铁锈花”装饰是我国宋代磁州窑传统装饰技艺在新时代的艺术创新形式,兼具文人画写意之美和民间艺术风格,承载着我国黄河流域陶瓷绘画语言表达的智慧。然而,新时期由于传统技法以白地黑花为主,导致表面装饰色阶变化不丰富,缺少层次感,无法迎合当下审美需求。文章以现代“陶艺铁绘”壁画为例,将“铁锈花”装饰技法与现代“陶艺铁绘”壁画设计理念相结合,通过融合多种现代艺术装饰语言来解决传统技法在陶瓷表面的层次性、空间感和体量感等方面表达力不足的问题,探索“铁锈花”装饰的新的艺术表达形式,实现传统技法在新时期的新生与再表达。Iron Rust Glazed Decoration is a traditional decoration technique of Cizhou kiln in Song Dynasty.The simple and pithy design expresses the beauty of Chinese traditional freehand brushwork,which constitutes a unique folk—art style,and inherits the wisdom of ceramic painting art in the Yellow River Basin.However,this traditional technique featured with white background and black patterns can't meet the aesthetics in this new era because of the insufficient color gradation and lack of layering on the surface decoration.Taking the modern mural"Pottery Art and Iron Painting"as an example,this article creatively combines the traditional technique of iron rust glazed decoration with the design concept of modern mural in ceramic iron painting art to solve the problem of insufficient artistic expression in the sense of layer,space and volume by integrating a variety of modern decoration art.The author aims to explore a new artistic expression of iron rust glazed decoration which can inherit and realize the rebirth and representation of traditional technique in this new era.

关 键 词：磁州窑 铁锈花 装饰技艺 陶艺铁绘 壁画设计 

分 类 号：J50[艺术—艺术设计]