On the Dual “Defamiliarization” Method and Its Source in Pale Fire  

作　　者：ZHAO Hong-jun GULIDIYAER Dilimulati 

机构地区：[1]Nanjing Normal University,Nanjing,210000,China

出　　处：《Journal of Literature and Art Studies》2021年第3期158-160,共3页文学与艺术研究（英文版）

摘　　要：Nabokov believes that “art is a method by which the writer is able to cause a special aesthetic experience among thereader”;language, structure, style and other means of expression are always more important than the plot of thework. We can find a vivid embodiment of this creation view in Pale Fire. Because of the method“defamiliarization”, the aesthetics of the whole novel is expressed in three key steps: the introduction of poeticambiguity on Shade’s poem;an explanation of poetic ambiguity by means of Kinbote’s commentary;regenarationof ambiguity through the suspension of Kinbote’s commentary from Shade’s poetic language. The artistic theme ofambiguity is a manifestation of the author’s hidden feelings for the homeland. Nabokov, as an expatriate Russianwriter, is experiencing not only a deep relationship with his homeland, but also a sense of bitterness from being inexile. His impression and memories of hometown beacame the inspiration for creation.

关 键 词：Pale Fire NABOKOV “defamiliarization” HOMELAND 

分 类 号：H31[语言文字—英语]