和谐与暗涌——修拉晚期娱乐题材绘画探析  

Harmony and Undercurrent: Analysis of the Entertainment Paintings of the Late Seurat Period

作　　者：唐哲昊 Tang Zhehao

机构地区：[1]湖南省博物馆

出　　处：《美术》2021年第4期122-127,F0003,共7页Art Magazine

摘　　要：修拉的艺术风格具有反拨传统的革新精神,其晚期创作的首要目标不再是追求色彩表现,而是通过"艺术即和谐"的理念再现社会矛盾。对此,只有给予社会现象和阶级意识的高度重视,才能明晰修拉的艺术语言。本文以《马戏团巡演》《喧哗舞》《马戏》三幅作品为例,在形式分析与阐释图像的双重视角下,探索修拉晚期绘画的意图范围及解决方式。Seurat’s artistic style has the innovative spirit of fighting against tradition. The primary goal of his creation in his late period was no longer to pursue expression with color, but to reproduce social contradictions through the concept of "art is harmony". Therefore, only by attaching great importance to social phenomena and class consciousness can the artistic language of Seurat be clarified. Taking the three works Circus Sideshow, Le Chahut and The Circus as examples, this paper explores the intention scope and solutions of the lateperiod paintings of Seurat from the dual perspectives of formal analysis and interpretation of images.

关 键 词：修拉 晚期风格 艺术观念 社会阶级 

分 类 号：J209[艺术—美术]