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作 者:黄海英 黄继刚 HUANG Haiying;HUANG Jigang
机构地区:[1]新疆财经大学基础学院 [2]陕西师范大学文学院 [3]美国德克萨斯州立大学英语系
出 处:《湖北民族大学学报(哲学社会科学版)》2021年第3期151-159,共9页Journal of Hubei Minzu University:Philosophy and Social Sciences
基 金:国家社科基金重大招标项目“生态美学的中国话语形态研究”(18ZDA024);安徽省地方政府重大招标项目“非遗文化的数字化保护与视觉性开发”(FYSK2017ZDB01)。
摘 要:“书会”的意义指涉从最初的民间办学读书场所,过渡为文化组织机构,遂后成为民间曲艺创作队伍的统称。在这一文化递嬗过程中,其重心也由文人案头下沉到民间伎艺,并逐渐呈现出言志、风教、美刺、缘情、风骨等审美特质,可谓是“礼失而求诸野”。而“才人”和“艺伎人”两相结合的“书会”是宋元戏曲繁荣昌盛的重要标识,其建构出当时市民社会的生活空间和精神幻象,它的发展成熟标志着知识分子为主体的曲艺创作走向了职业化、规模化和精品化的道路,并开启了文艺的商品化风潮。The meaning of“book club”originally refers to the reading place of private schools before its transition into cultural organizations,and then it has become a general term for folk art creation teams.In the course of transmission of this culture,the focus has shifted from the works of men of letters to the folk art,and gradually shown the aesthetic characteristics of expression,customs,beauty,affection and style,etc.,which can be said as“losing civilization and pursuing it in the folk society”.The book club with“talents”and“geisha”is an important symbol of the prosperity of Song and Yuan Opera,which constructs the living space and spiritual illusion of the civil society.The development of the book club markes the folk art creation with the intellectuals as the main body has became more professionalized,with a larger scale and a better quality,meanwhile it opens up the trend of commercialization of literature and art.
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