当代文学女性创伤叙事的三个维度  

Three Dimensions of Female Trauma Narrative in Contemporary Literature

作　　者：张舒 ZHANG Shu(Graduate School,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院研究生院,北京100732

出　　处：《浙江工商大学学报》2021年第2期141-148,共8页Journal of Zhejiang Gongshang University

基　　金：国家社会科学基金一般项目“中国当代‘文学回忆录’的整理与研究(1978-2017)”(18BZW126)。

摘　　要：女性创伤叙事具有独特而重要的价值。作为文化记忆的创伤、作为认同困境的创伤和作为个体体验的创伤是当代女性创伤叙事的基本图景。那些具有大事件性质的“缠绕式”的创伤是历史的骨架和关节;历史演进中各种新的创伤是具有时代症候的特质呈现;历史和时代之外的个人创伤构成历史骨架之外的血肉和脉络。当代文学的女性创伤叙事呈现出三个可能的维度,从女性创伤出发,又超脱出性别的界限,将女性创伤叙事的视野和层次提升到两性、国民甚至人类的高度,形成一种现实主义的人文情怀,显现出更为广阔的形态。Female trauma narrative has unique and important value.Trauma as cultural memory,identity dilemma and individual experience is the basic picture of contemporary female trauma narrative.The trauma with the nature of big event is the skeleton and joint of history.All kinds of new traumas in the historical evolution are the characteristics of the times.Personal trauma outside of history and times constitutes the flesh and veins outside of the historical skeleton.The narrative of female trauma in contemporary literature presents three possible dimensions.Starting from female trauma,it goes beyond female boundaries,and promotes the vision and level of female trauma narrative to the height of gender,nation and even mankind,forming a realistic humanistic feeling,and presenting a broader form.

关 键 词：女性创伤叙事 文化记忆 认同困境 

分 类 号：I106[文学—世界文学]