论晁补之词中的“桃源”意象  

Image of Peach Bloom Spring in Chao Buzhi’s Ci-Poetry

作　　者：姚家欣 YAO Jia-xin(Nanjing Normal University,Nanjing,Jiangsu,210097)

机构地区：[1]南京师范大学,江苏南京210097

出　　处：《广州广播电视大学学报》2021年第2期87-92,112,共7页Journal of Guangzhou Open University

摘　　要：“桃源”是晁补之贬谪词中出现的典型意象,主要指向少年漫游浙地、青年游宴京中的精神回忆和晚年寓居东皋的现实经历,却唯独缺少对未来的憧憬与希冀。“桃源”是晁补之在坎坷仕途中为心灵几经寻觅的栖息之所,也是在亲朋好友隐逸思想影响下效仿陶渊明的最终选择。虽用力甚勤,他却发出了“迷路桃源了”的感慨。这可归因于其人生的“矛盾”,具体表现为“桃源”意象的本义、陶渊明与李广冯唐意象共存及其本志与归隐生活的矛盾。Peach Bloom Spring,a typical image in Chao Buzhi's(1053-1110)Ci-Poetry,especially when he was relegated,mainly points to his memories of his past years from his adolescence in Zhejiang,to his youth in Beijing,until his old age in Donggao,instead of his hope for the future.Peach Bloom Spring was where Chao Buzhi had been searching for his soul in his rough official career,and his utmost settlement to seclusion as an imitation of Tao Qian,influenced by his relatives and friends.He had tried his best,but eventually he got lost there.His loss can be attributed to his dilemma in his personal life,which is embodied in the original sense of the image Peach Bloom Spring,the coexistence of Tao Yuanming,Li Guang and Feng Tang,in addition to the contradiction between his original ambition and his reclusive life.

关 键 词：桃源意象 晁补之 词 贬谪心态 

分 类 号：I207.23[文学—中国文学]