湖南地域文化中的陶艺创作教学谈  

On the teaching of ceramic art creation in Hunan regional culture

作　　者：刘春霞[1] Liu Chunxia(Art College of Hunan University of science and technology,Xiangtan,411201)

机构地区：[1]湖南科技大学艺术学院,湘潭411201

出　　处：《陶瓷研究》2021年第2期99-100,共2页Ceramic Studies

基　　金：2019年普通高校教学改革研究项目《跨界融合的雕塑瓷教学实践研究》,项目编号:916G21929。

摘　　要：陶艺所提倡的,是观念的不断更新发展,比起传统陶瓷艺术对工艺以及实用的要求,现当代陶艺更多的是在精神领域的研究表达和思维领域的一种诉说,它融合了多种艺术门类和艺术形式,这种融合为陶艺的发展提供了更多方向和可能性。The integration of sculpture and ceramic art demands human’s perceptual world and rich visual experience. Through the interpretation of ceramic style, the molding techniques and artistic concepts are presented in the medium of ceramics. There are distinct differences in nature, technology and modeling between sculpture and traditional ceramics or sculpture in general sense. This new mode is based on the development of complex and diversified artistic style, which can enrich and expand the expression language of ceramic art in a deeper level, and points out a direction for the development of art workers.

关 键 词：陶艺 展览 地域 观念融合 

分 类 号：J527[艺术—艺术设计] G642[文化科学—高等教育学]