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作 者:胡泽[1] 易闻波 Hu Ze;Yi Wenbo(School of Music and Recording Arts,Communication University of China)
机构地区:[1]中国传媒大学音乐与录音艺术学院,北京100024
出 处:《现代电影技术》2021年第5期23-27,共5页Advanced Motion Picture Technology
摘 要:随着音频技术的不断发展,声音的重放技术从一维声音空间逐渐发展到了三维声音空间,音频重放系统中扬声器的数量也随之增多,继而对影视及音乐节目后期混音制作带来了工艺和制作理念上的改变和发展。本文将随着声音录制和重放技术的发展历程,对双声道立体声、5.1环绕声、3D音频时代的混音创作理念进行整理与归纳,寻找出音频技术的发展带给影视及音乐混音创作视角的变化,并加以运用创作出更具个性化的音乐。With the continuous development of audio technology,the audio reproduction technology has gradually developed from a one-dimensional sound space to a three-dimensional sound space,and the number of speakers in the audio reproduction system has increased,bringing changes and developments in the process and production concept for the post-production sound mixing of film and music programs.In this article,as sound recording and reproduction technology evolves,the concept of sound mixing production in the era of two-channel stereo,5.1 surround sound and 3D audio is outlined,and the changes in the perspective of film and music mixing as a result of developments in audio technology are identified and applied to create more personalized music.
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