异质同构视角下的光元素研究——以奥拉维尔·埃利亚松装置艺术为例  

The Study of Light Element from the Perspective of Heterogeneity and Same Structure:Taking Olafur Eliasson's Installation Art as an Example

作　　者：秦悦琪 郑淼[1] Qin Yueqi;Zheng Miao

机构地区：[1]大连理工大学建筑与艺术学院

出　　处：《建筑与文化》2021年第5期201-203,共3页Architecture & Culture

摘　　要：通过探究奥拉维尔·埃利亚松的装置艺术,在异质同构的视域下分析“光”元素在当代艺术作品中的应用研究。文章分析总结了“光”元素在传统绘画和当代艺术中的应用和转变,以格式塔心理学异质同构论做指导,从材料选择、科技手段两个方面剖析“光”与埃利亚松装置艺术的联系,继而分析出他将“光”元素运用在当代艺术作品中的艺术方式与理念。“光”在自然与科技相结合的设计方法下,触及观者的心理和感知层面,使感知方式由被动参与变为主动介入,让观者与艺术家之间发生异质同构并产生情感共鸣。这对于当代艺术作品更易被观者解读并且对适应时代发展具有借鉴意义。Through exploring the installation art of Olafur Eliasson,we can analyze the application research of"light"element in contemporary art works from the perspective of heterogeneity and same structure.The analysis summarized the application and transformation of the"light"element in traditional painting and contemporary art guided by the heterogeneous structure theory of Gestalt psychology,and analyzed the connection between"light"and Eliasson's installation art from the two aspects of material selection and technological means.Then the paper analyzed his artistic method and concept of applying the"light"element to contemporary art works.Under the design method that combines nature and technology,"light"touches the viewer's psychological and perceptual level,changing the way of perception from passive participation to active intervention,allowing the viewer and the artist to have the same structure and emotions resonance.It is of reference significance for contemporary art works to be more easily interpreted by viewers and adapt to the development of the times.

关 键 词：奥拉维尔·埃利亚松 光 异质同构 自然 感知 

分 类 号：J5[艺术—艺术设计]