津派家具与海派家具的对比分析研究  

Contrastive Analysis of Tianjin-Style Furniture and Shanghai-Style Furniture

作　　者：张学彬[1,2] 张亚池[1] 孙光瑞 Zhang Xuebin;Zhang Yachi;Sun Guangrui

机构地区：[1]北京林业大学,北京100083 [2]天津电子信息职业技术学院,天津300350 [3]天津科技大学,天津300222

出　　处：《家具与室内装饰》2021年第4期5-8,共4页Furniture & Interior Design

基　　金：国家十三五重点研发计划(2018YFD600304)。

摘　　要：津派家具和海派家具既相互联系,又各具特色,在中国家具发展史上起到兼容并蓄、融汇中西的作用,对实现中国传统家具向现代家具过渡起到了不可或缺的纽带桥梁作用。本文将借助批评学研究方法,从文化、社会、审美、经济、生态五个方面对津派家具与海派家具进行对比分析,在此基础上明晰津派家具的独特和不足之处。深入挖掘津派家具和海派家具的文化内涵,以求丰富民国家具理论体系,更好地指导当代家具设计实践。Tianjin-style furniture and Shanghai-style furniture are interrelated with each other,and each has its own characteristics.In the history of the development of Chinese furniture,they have been inclusive when integrating the Chinese and Western features,which played an indispensable role in the transition from traditional Chinese furniture to modern furniture.This paper will use the method of critical research to compare the two styles from the cultural,social,aesthetic,economic,ecological aspects.Based on this,the paper hopes to clarify the uniqueness and shortcomings of Tianjin-style furniture.By excavating the cultural connotation of Tianjin-style furniture and Shanghai-style furniture in the period of the Republic of China,it will help enrich the theoretical system of furniture and better guide the practice of contemporary furniture design.

关 键 词：津派家具 海派家具 批评 家具对比 

分 类 号：TU238.2[建筑科学—建筑设计及理论]