质朴天然 匠心独具——清末广州通草画中的市井家具  

Plainness with Great Originality--Furniture in Guangzhou Pith Paper Painting in The Late Qing Dynasty

作　　者：陈哲[1] 朱艺璇 李梓珊 Chen Zhe;Zhu Yixuan;Li Zishan

机构地区：[1]华南农业大学艺术学院,广东广州510642

出　　处：《家具与室内装饰》2021年第4期9-11,共3页Furniture & Interior Design

基　　金：广东省哲学社会科学“十三五”规划2016年度学科共建项目(GD16XYS02)。

摘　　要：通草画作为一种反映清末年间市井生活场景的特殊工艺,诞生、兴起、衰落于广州。结合其存留下的绘画作品与图片,解析通草画中蕴含的科学背景与艺术特征,了解当时广州百姓的生活方式、服饰文化、百工技艺等,重点探讨通草画中描绘的民间家具类型与特征,揭示广作民间家具与广作家具的异同,并进行了图像集成与绘制。Pith paper painting,as a special process reflecting the life scene of the city in the late Qing Dynasty,was born,emerged and declined in Guangzhou.Combining the remaining paintings and pictures,analyze the scientific background and artistic characteristics contained in pith paper painting,understand the lifestyle,clothing culture,art,etc.of the people in Guangzhou at that time,focus on the types and characteristics of folk furniture depicted in pith paper painting,reveal the similarities and differences between Cantonese folk furniture,and carry out Image integration and rendering.

关 键 词：通草画 广作民间家具 图像集成 

分 类 号：TU238.2[建筑科学—建筑设计及理论]