希尔达·杜利特尔诗歌的视觉艺术:基于象似性视角的文体学分析  

Exploration and Appreciation of the Visual Art in Hilda Doolittle’s Poetry:A Stylistic Analysis from the Perspective of Iconicity

作　　者：袁微[1] YUAN Wei(Department of International Cooperation,Civil Aviation Flight University of China,Guanghan,618307,Sichuan)

机构地区：[1]中国民航飞行学院国际合作部,四川广汉618307

出　　处：《蚌埠学院学报》2021年第3期23-28,共6页Journal of Bengbu University

摘　　要：作为意象主义运动的代表人物,希尔达·杜利特尔被誉为“完美的意象派”。希尔达·杜利特尔的诗歌具有独特的个人气质和艺术想象,特别值得注意的是她的诗歌对现代视觉艺术的吸纳和融合。在诗歌文本解读的基础上,用象似性理论对诗歌进行文体学分析,可以更好地探讨其诗歌中的视觉艺术及其情感表征。她诗歌中的视觉艺术特质可以总结为:女性视角下诗画交融的二重性,雕塑般的“希腊式硬朗”以及“理智交融”下的电影式镜头的呈现。通过研究有助于解读杜利特尔诗歌中的艺术想象,阐释其诗歌中的美学特质,从而推进其诗歌在国内的研究。As the representative figure in Imagism Movement,Hilda Doolittle was honored as“the perfect imagism poet”.The visual art integrated and absorbed in her poetry deserve due attention and study.A stylistic study based close reading from the perspective of iconicity can better decode the poetic art and emotion expression.The features of the visual art in her poetry can be summarized as:a female perspective of dualism between poem and paining,the“Grecian hardness”as a marble sculpture and movie presentation through“mental integration between object and subject”.The stylistic study of visual art in her poetry from the perspective of iconicity can facilitate the decoding of her artful imaginations and aesthetic values,hopefully,progress the studies of Hilda Doolittle in China.

关 键 词：希尔达·杜利特尔 诗歌 视觉艺术 象似性 文体学 

分 类 号：I712.07[文学—其他各国文学]