作为美学修辞的“不写之写”——《红楼梦》笔法论  

“Blank-leaving”as Aesthetic Rhetoric:A Study on the Writing Techniques in A Dream of Red Mansions

作　　者：孙伟科[1] 张明明 SUN Weike;ZHANG Mingming(Research Institute of A Dream of Red Mansions,Chinese National Academy of Art,Beijing 100012,China;Teachers'College,Zhejiang Ocean University,Zhoushan,Zhejiang 316022,China)

机构地区：[1]中国艺术研究院红楼梦研究所,北京100012 [2]浙江海洋大学师范学院,浙江舟山316022

出　　处：《吉林师范大学学报（人文社会科学版）》2021年第3期93-99,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

摘　　要：在古代小说研究中,“不写之写”是评点家在欣赏、分析《红楼梦》时对其客观存在的艺术手法的一种描述和概括。《红楼梦》是曹雪芹“字字看来都是血,十年辛苦不寻常”的产物,是作家“批阅十载、增删五次”的匠心之作,《红楼梦》写作叙事中包含着特殊的笔法。“真假”“虚实”“有无”等艺术观念的自觉运用使《红楼梦》中的“空白点”成为其显著的艺术存在,“空白点”有时候表现为“虚”“假”“无”,相对于“实”“真”“有”来说,是“不写之写”。“不写之写”是《红楼梦》文本的有机组成部分,是《红楼梦》的重要艺术特色之一。In the study of the ancient novels,“blank-leaving”is a description and summarization of the artistic techniques used by scholars to appreciate and analyze A Dream of Red Mansions.A Dream of Red Mansions is the product of Cao Xueqin's ten years of hard work,which contains lots of special writing technique.The conscious use of artistic concepts such as“true and false”,“virtual and real”and“being or not”has made the“blank spots”in the novel a significant artistic existence.The“blank spots”are also ex-pressed as“virtual”,“false”and“nothing”.When we are comparing with“real”,“true”and“being”,it is“not writing art”.“blank-leaving”is an organic part of it and one of the important artistic features of the book.

关 键 词：红学 不写之写 曹贾互证 叙事修辞 

分 类 号：I242.4[文学—中国文学]