“红楼梦仙曲十二支”是《红楼梦》原型的象征  

A Symbol of the Prototype of A Dream of Red Mansions:The Twelve Divine Comedies of the Dream of Red Mansions

作　　者：张丽红[1] ZHANG Lihong(Northeast Culture Research Center,Jilin Normal University,Siping,Jilin 136000,China)

机构地区：[1]吉林师范大学东北文化研究中心,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2021年第3期118-124,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：吉林省教育厅社科项目(JJKH20201321SK)。

摘　　要：在《红楼梦》第五回“贾宝玉神游太虚境警幻仙曲演红楼梦”中,作家直接点明了小说的命名缘由,警幻仙姑已经在太虚幻境中为贾宝玉先在地演出了一回“红楼梦”,其中的“红楼梦仙曲十二支”则成为红楼女儿悲剧命运的象征。“红楼梦仙曲十二支”是一种原型叙事,其蕴含着丰富的象征内涵,现实生活中红楼女儿的悲剧命运正是对“红楼梦仙曲十二支”原型的重复,这就构成了《红楼梦》神话原型与现实重演的深层结构,从而深化了《红楼梦》的主题。In the fifth chapter of A Dream of Red Mansions,"Jia Baoyu wanders in the dream of Taixu,the divine comedy of dreams interprets the dream of Red Mansions",the writer directly points out the reason for the name of this novel.In this chapter,the Goddess of Dreamland performed the"The Twelve Divine Comedies of the Dream of Red Mansions"for Jia Baoyu in advance,which became a symbol of the tragic fate of the girls of the Red Mansions."The Twelve Divine Comedies of the Dream of Red Mansions"is a prototype narrative,which contains rich symbolic connotations in the"Twelve Divine Comedies of the Dream of Red Mansions".In the actual life described in the novel,the tragic fate of the girls in the Red Chamber is consistent with the prototype in"The Twelve Divine Comedies of the Dream of Red Mansions".This constitutes the repeated appearance of the mythological prototype and the actual image of the novel in A Dream of Red Mansions.This structure deepens the theme of A Dream of Red Mansions.

关 键 词：“红楼梦”仙曲 原型 重演 内视角 外视角 

分 类 号：I242.4[文学—中国文学]