“当代生活的唯一代表”:巴黎香榭丽舍剧院里的瑞典芭蕾舞团(1920—1924)  

“The Only Representatives of Contemporary Life”:The Swedish Ballet at the Parisian Théatre des Champs-élysées( 1920—1924)

作　　者：尤利娅·奥斯特瓦尔德 马昱(译)[2] OSTWALD,Julia;MA Yu(University of Salzburg,Salzburg 4-65020,Austria;Xi’an Conservatory of Music,Xi’an 710061,China)

机构地区：[1]萨尔茨堡大学音乐与舞蹈学院,萨尔茨堡4-65020 [2]西安音乐学院舞蹈系,西安710061

出　　处：《北京舞蹈学院学报》2021年第1期94-98,共5页Journal of Beijing Dance Academy

摘　　要：文章通过跨文化、跨学科视角,以独特文化地标巴黎香榭丽舍剧院与先锋派瑞典芭蕾舞团之间的历史姻缘为线索,深入分析二者与城市生活、技术变革、现代主义美学观念的内在关联。文章首先以巴黎香榭丽舍剧院为基础,通过三个层次,即独特的剧院选址、全新的建筑风格与舞台技术、跨文化的美学定位,阐明剧院作为剧场空间的现代主义美学价值;其次以20世纪20年代在巴黎香榭丽舍剧院创立的瑞典芭蕾舞团为核心,通过对其舞团舞蹈作品主题、动作风格元素、舞台技术变革的细致展开,旨在说明瑞典芭蕾舞团作为20世纪先锋派舞团的独特历史与文化价值。This paper,taking the historical relation between the unique cultural landmark Parisian Théatre des Champs-élysées and the avant-garde Swedish Ballet as the clue,analyzes the internal relations between the two and urban life,technological change and modernist aesthetics from the transcultural and interdisciplinary perspective. For the Parisian Thétre des Champs-x A6*l ys,the modernist aesthetic value of the theatre as a theatre space are analyzed from three aspects of unique theatre site selection,brand-new architectural style and stage technology,and cross-cultural aesthetic positioning. For the Swedish Ballet founded in the Parisian Théatre des Champs-élysées in 1920s,the unique historical and cultural value of the Swedish Ballet as the 20 th century avant-garde dance troupe are extracted based on the its dance theme,movement style elements,and stage technology changes.

关 键 词：巴黎香榭丽舍剧院 瑞典芭蕾舞团 城市生活 世界主义 现代性 

分 类 号：J730.9[艺术—舞蹈]