田联韬先生的藏族音乐研究及其学术传承  

The Study and Academic Inheritance of Tibetan Music Studies by Mr Tian Liantao

作　　者：银卓玛[1] Yin Dolma(the Chinese National Academy of Arts,PhD from Central Conservatory of Music,Beijing,100029)

机构地区：[1]中国艺术研究院,北京100029

出　　处：《民族艺术研究》2021年第2期55-66,共12页Ethnic Art Studies

摘　　要：藏族是一个跨省、跨境民族,主要分布于中国和环喜马拉雅山脉的不同国境。中国藏族依照方言,可分为卫藏、康巴和安多三大区域。自20世纪80年代以来,藏族音乐研究受到田联韬先生的重视。先生持续为藏族音乐研究培养后备人才,且培养出4位藏族博士研究生。研究领域涵盖卫藏、康巴及安多三大方言区;地域涉及西藏、青海、云南、甘肃及四川等省区,由此完成了对其中不同方言区及民歌、戏曲、歌舞及宗教音乐等不同体裁内容各有专精的完整学术布局,呈现相关研究的原创性、前沿性及开拓性。Tibetan is an ethnic group who live cross provinces and borders in the area of China and countries along the rim of Himalaya. Tibetan in China can be categorized into three regions, namely Weizang, Kangba and Anduo, according to the Tibetan dialect. Tibetan music has been studied by Mr Tian Liantao since the 1980 s and Mr Tian continuously cultivated talents for Tibetan music, including four Tibetan PhD students. These studies concern Weizang, Kangba and Anduo dialect regions, including Tibet Autonomous Region, Qinghai Province, Yunnan Province, Gansu Province and Sichuan Province. Accordingly, a series studies of dialects, folk songs, traditional opera, music and songs, and religious music have been systematically conducted, which shows original, advanced and pioneering research.

关 键 词：田联韬 藏族音乐研究 学术历程 学术传承 微观学术史 

分 类 号：J607[艺术—音乐]