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作 者:于平[1] Yu Ping(the School of Dance,Nanjing University of the Arts,Beijing,100083)
机构地区:[1]南京艺术学院舞蹈学院博士后流动站,北京100083
出 处:《民族艺术研究》2021年第2期87-100,共14页Ethnic Art Studies
摘 要:《乐府诗集》的编撰在某种意义上来说也是前人"民族舞蹈学"(或"民族音乐学")的研究成果。当它们成为我们今日"古代舞蹈史"的研究史料,本身就已包含着与"民族舞蹈学"研究的"联通共洽"。在中国古代舞蹈史(两宋部分)的撰写中,《梦粱录》《武林旧事》和《东京梦华录》这三部文人笔记都是撰写者必须参阅的重要史料,让我们得以窥见当时的民俗舞风。同时,《跳月记》和《跳神》也可视为"比较舞蹈学"的历史研究,而这正是我们"民族舞蹈学"研究极其可贵的历史文献。《说舞》是站在文化人类学学者的立场,表达出对民族固有舞蹈文化的信守和张扬。古代舞蹈史与民族舞蹈学研究的联通共洽,不只是舞史治学方法的一种倡导,更是舞史研究沉积的一个钩沉。The compilation of Poetry Anthology of Yuefu, in a sense, is also the result of the predecessors’ studies on ethnic dance(or ethnomusicology). When they became the research materials of "ancient dance history" today, they have already contained the "connections" with the research of "ethnic dance studies". In the writing of the history of ancient Chinese dance(Song Dynasty), Mengliang Lu, Wulin Jiushi and Dongjing Menghua Lu(famous notes written by Song scholars), are important references for the writers, so we can get a glimpse of the style of folk dance at that time. Meanwhile, Tiaoyue Ji and Tiao Shen can also be regarded as the historical research of "comparative dance studies", which are valuable historical literature of studies of ethnic dance. Shuo Wu stands in the position of cultural anthropologists and it expresses its adherence and flamboyance of traditional dance culture. The connection between studies of ancient dance history and ethnic dance is not only an advocacy of study method of dance history, but also an exploration of the research on dance history.
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