激情与规训的共谋——19世纪自由曲式结构思维产生的文化成因初探  

The Cultural Cause for the Shaping of Free Music Form in the 19^(th) Century

作　　者：王媛媛 WANG Yuanyuan

机构地区：[1]上海音乐出版社,上海200020

出　　处：《音乐探索》2021年第1期57-72,共16页Explorations in Music

摘　　要：自由曲式是19世纪欧洲艺术音乐创作中的一种新结构形态。在过去的学术研究中,一般从曲式学和音乐分析的角度涉及这种非常规的结构思维(多为个案分析),但对其发生的背景与动因尚未予以深究。拟从音乐文化史的角度,并结合代表性的作品例证,展示古典器乐曲式结构在19世纪的经典化与同时期浪漫主义观念对这种限定性的突破与偏离,并解释这一形式与内容的矛盾的实质与意义。Free music form is a new structural mode of composition in the 19th century Europe.Studies used to approach the subject in the perspective of music forms and music analysis that were mainly centered on individual cases while the background and cause for its origination were not studied thoroughly.Viewed from the history of music culture and combined with typical examples,the article demonstrates in the 19th century the canonization of classical music form and its breakthrough and deviation brought by romanticism from its own limitation.The essence of the contradiction between the form and content and its significance are expounded as well.

关 键 词：自由曲式 19世纪 古典-浪漫时期 标题音乐 资产阶级音乐文化 

分 类 号：J609.1[艺术—音乐]