论严歌苓作品中女性跨国婚姻的多重悲剧——评《红罗裙》《约会》与《少女小渔》  

On the Multiple Tragedies of Women’s Transnational Marriage in Yan Geling’s Works--On“The Red Dress”,“Dating”,and“Xiaoyu”

作　　者：付文香 李晓坤 张心雨 FU Wen-xiang;LI Xiao-kun;ZHANG Xin-yu(Heilongjiang University,Harbin 150080,China;National Postdoctoral Research Station of Heilongjiang Hengxun Technology Co.,Ltd,Harbin 150090,China;Heilongjiang Xun’ao Technology Co.,Ltd,Harbin 150090,China)

机构地区：[1]黑龙江大学,黑龙江哈尔滨150080 [2]黑龙江恒讯科技有限公司国家博士后科研工作站,黑龙江哈尔滨150090 [3]黑龙江讯翱科技有限公司,黑龙江哈尔滨150090

出　　处：《哈尔滨学院学报》2021年第5期76-79,共4页Journal of Harbin University

基　　金：2020年哈尔滨市“雏鹰计划”暨科技企业培育专项工作,项目编号:2020CYJBGX0057;哈尔滨科技创新人才研究专项资金项目,项目编号:2017RAQXJ094;中国博士后科学基金,基金编号:2019M650069。

摘　　要：移民女作家严歌苓一生命运多舛,其移民海外的经历为她的创作生涯提供了多种素材。严歌苓的文学作品大多数以悲剧为主,主要人物甚至次要人物也是披着"悲剧的外衣"出场,然后又在"未知的悲剧"中离去。在严歌苓的作品中,"爱情"和婚姻给人物带来的后果更是难以想象,其中《红罗裙》《约会》和《少女小渔》的悲剧都是由老夫少妻的婚姻生活开始的。三部作品中的女性均以移民身份寄居国外,且没有经济基础和自我意识,在多重障碍交织下艰难的生存。Yan Geling,an immigrant woman writer,suffered a lot in her life.Her experience of emigrating abroad provided her with a variety of materials for her writing career.Most of Yan Geling’s literary works are based on tragedy.The main characters and even the secondary characters appear in the“coat of tragedy”,and then leave in the“unknown tragedy”.In Yan Geling’s works,the consequences of“love”and marriage to the characters are even more unimaginable.The tragedies of“The Red Dress”,“Dating”and“Xiaoyu”all begin with the marriage life of old husband and young wife.The women in the three works all live abroad as immigrants,and they have no economic foundation and self-consciousness,and they are struggling to survive under multiple obstacles.

关 键 词：严歌苓 跨国婚姻 《红罗裙》 《约会》 《少女小渔》 

分 类 号：I247[文学—中国文学]