论萨特《禁闭》中的自我迷失与救赎  

On Self Lost and Redemption in Sartre's Closed

作　　者：姜乐恒 JIANG Leheng(Guangxi Normal UniversitySchool of Foreign Languages,GuangxiGuilin541006)

机构地区：[1]广西师范大学外国语学院,广西桂林541006

出　　处：《兴义民族师范学院学报》2021年第2期24-27,共4页Journal of Minzu Normal University of Xingyi

摘　　要：法国作家让-保尔·萨特的代表剧作独幕剧《禁闭》是一部典型的"境遇剧",情景发生在一个特定的"地狱"中,由于镜子的缺失,剧中的三个鬼魂谁都无法忽视他人的在场,每个人只能拿对方当镜子,这样,对方的注视就会禁锢了自己的自由。他们相互折磨,每个人都会成为他人的刽子手,不能解脱彼此的禁锢。文章从物之镜的缺失与他者之镜存在的角度来进行论述,进而讨究个体的自我救赎之路。The one-act play Closed of French Writer Jean-Paul Sartre is a typical representative"circumstances drama".Happening in a particular"hell",due to the lack of the mirror,the three ghost who cannot ignore the presence of others,can only take each other as a mirror,in this way,each other's gaze will imprison his liberty.They torment each other,and each becomes the executioner of the other,unable to free each other from bondage.This article will discuss the absence of the mirror of things and the existence of the mirror of others,and then discuss the way of individual self-salvation.

关 键 词：禁闭 镜子 迷失 救赎 

分 类 号：I106[文学—世界文学]