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作 者:王冲[1] WANG Chong
机构地区:[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070
出 处:《古汉语研究》2021年第2期106-117,128,共13页Research in Ancient Chinese Language
基 金:国家社科基金项目“清代蒙古族诗人汉文诗歌用韵研究”(19XYY016)。
摘 要:瑞常、恭钊、夑清、延清、三多都是清代江浙地区的蒙古族诗人,在他们的诗歌用韵中体现出了明显的吴语方音特点。借助数理统计等方法,其近体诗和古体诗均可划分为18韵部。近体诗阴声韵中尤侯鱼相押,灰咍二韵也保持着紧密联系;阳声韵中东钟、江阳、庚青三部通叶;入声韵中[-k]尾被较多地保存下来。古体诗最典型的特征是合韵现象频繁,不仅[-m]尾音与[-n]尾音通叶,而且[-n]尾与[-?]尾也存在混押。这一研究不仅为清代的语音研究积累了新材料,也为清代蒙汉交融的程度提供了新的判定依据。Ruichang,Gongzhao,Xieqing,Yanqing and Sanduo were Mongolian poets in the region of Jiangsu and Zhejiang in Qing Dynasty. The rhyme of their poems reflected the obvious characteristics of Wu[ 吴 ] dialect. Using mathematical statistics and other methods,the modern style poetry and the ancient style poetry can be divided into 18 rhyme parts. In the Yin rhyme of modern style poetry, many rhymes keep in touch;in the Yang rhyme, Dong[ 东 ] and Zhong[ 钟 ] rhymes, Jiang[ 江 ] and Yang[ 阳 ] rhymes and Geng[ 庚 ] and Qing[ 青 ] rhymes are closely related;the tail of [-k] is preserved in the ru rhyme. The most typical feature of ancient style poetry is the frequent rhyming phenomenon. Not only the [-m] ending and [-n] ending are connected, but also the [-n] ending and [-?] ending are mixed. This study not only accumulates new materials for the phonetic research of Qing dynasty, but also provides a new basis for judging the degree of the blending of Mongolian and Chinese in Qing dynasty.
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