多元并存与主流建构——中国画十年评述(2010—2019)  

Multiplicity and Mainstream:Review of Chinese Paintings(2010-2019)

作　　者：陈明 Chen Ming

机构地区：[1]广州美术学院美术学研究中心 [2]中国国家画院

出　　处：《美术》2021年第5期6-12,共7页Art Magazine

摘　　要：在多元化的文化语境下,2010年至2019年这10年来的中国画创作在语言形态、风格图式和艺术观念等方面呈现出越来越鲜明的特征:日益多样的现实题材使创作内容得到不断丰富,艺术观念的多元化促进了形式语言的不断更新。在此基础上,主流的中国画创作得到国家层面的极大支持,愈来愈成为中国画创作大厦的重要支柱。主流中国画创作对艺术社会功能的肯定、对传统文化价值回归的关注以及对艺术精神性价值的重视,推动了10年来中国画创作的繁荣发展,体现出新时代的文化要求,并为未来中国画创作提供了更大的空间。Against the diverse cultural contexts,the Chinese paintings are presenting increasingly distinctive features in expression and form,style and pattern,and artistic concepts from 2010 to 2019.There are richer contents in the creations as more realistic themes emerge.Diversified artistic ideas facilitate the renewal of forms and expressions.The creation of mainstream paintings has gained strong support from the government and become a pillar in this sector.The mainstream Chinese paintings highlight the social functions of art,the return of traditional cultural values,and the spiritual values of art,boosting the creations of Chinese paintings,echoing the cultural requirements in the new era,and providing greater space for future Chinese painting creations.

关 键 词：中国画 形式语言 观念 多元 主流 

分 类 号：J209[艺术—美术]