从汉代墓葬出土乐器看汉代礼乐制度之演变  

The Evolution of Ritual and Music System in Han Dynasty Viewed from the Unearthed Musical Instruments of Han Dynasty

作　　者：陈艳[1] 乔军[2] Chen Yan;Qiao Jun

机构地区：[1]郑州大学音乐考古研究院,郑州450000 [2]郑州大学历史学院,郑州450000

出　　处：《中州学刊》2021年第5期122-129,共8页Academic Journal of Zhongzhou

摘　　要：根据文献记载和考古所见汉代乐器,可知汉代的礼乐制度继承了周代礼乐,但又具有自身的特征。汉代礼乐制度受政治因素的影响明显大于经济、地域等其他因素的影响,西汉时期礼的等级更加森严,彰显君主专制和皇权的无上权威。随着经济发展、社会的进步以及丝绸之路的开辟,尤其是武帝时期乐府的扩建及其职能的转变,汉代乐的自然功能更加世俗化,注重乐为人享用,开辟了汉代雅俗并存、繁荣多元的音乐发展模式。According to the musical instruments of the Han Dynasty through the literature and archaeology,the ritual and music system of Han Dynasty inherited the ritual music of Zhou Dynasty,but it also had its own characteristics.The Ritual and Music System of Han Dynasty was obviously more influenced by political factors than by other factors such as economy and region.In the Western Han Dynasty,the hierarchy of rites was more strict,showing the absolute monarchy and the supreme authority of imperial power.With the development of economy,the progress of social times and the opening up of the Silk Road,especially during the period of Emperor Wudi,Yue Fu expanded and changed its functions,the natural function of music in the Han Dynasty was more secular,focusing on people′s enjoyment of music,which paid attention to music for people to enjoy,and opened up the prosperous and diversified music development mode with elegant and vulgar coexistence of the Han Dynasty.

关 键 词：汉代 乐器 礼乐制度 

分 类 号：K234[历史地理—历史学]