中西方电影中宗教表现手法对比研究——以《冈仁波齐》和《十诫》为例  

Comparative Study of Religious Expressions in Chinese and Western Films--A Case Study of Kang Rinpoche and The Decalogue(or The Ten Commandments)

作　　者：王静楠 Jingnan Wang(School of Visual Arts Date,NY,USA)

机构地区：[1]不详

出　　处：《教育研究前沿（中英文版）》2020年第3期167-172,共6页Education Research Frontier

摘　　要：作为人类文化的重要组成部分,宗教相关意识与内容成为电影艺术创作的重要题材,出现很多以宗教为主或借用宗教手法,去表现和传达宗教精神的影片。本文以中外电影中宗教表现手法为研究对象,通过分析中国影片《冈仁波齐》与波兰影片《十诫》中的宗教表现手法,总结归纳宗教对中外影响的差异性和电影中宗教表现手法的异同。As an essential part of human culture,religion-related consciousness and content has become a vital theme in the artistic creation of movies.Many movies mainly use religion or borrow religious methods to express and convey religious(holy)spirits.With the techniques of religious expression in Chinese and foreign films as the research object,this paper analyzes the religious expression techniques in the Chinese film"Kang rinpoche"and the Polish film"The Decalogue"and summarizes the differences in the influence of religion on China and foreign countries and the similarities and differences in the religious expression techniques in the films.

关 键 词：中西方电影 宗教表现手法 对比 相通 差异 

分 类 号：J90[艺术—电影电视艺术]