《冷血》中异托邦的建构与美国冷战文化的批判  

Building Heterotopias and Criticizing American Cold War Culture in In Cold Blood

作　　者：向璐 XIANG Lu(School of Foreign Languages and Cultures, Chongqing University, Chongqing 401331, China)

机构地区：[1]重庆大学外国语学院,重庆401331

出　　处：《河南工程学院学报（社会科学版）》2021年第2期80-85,共6页Journal of Henan University of Engineering(Social Science Edition)

摘　　要：美国当代作家杜鲁门·卡波特的代表作《冷血》是“非虚构小说”流派的开山之作,其社会批判意义值得研究。列斐伏尔认为空间是一种社会关系,福柯也将空间置于社会文化的核心位置,认为空间与时代的焦虑有着紧密的联系。福柯的异托邦空间理论在《冷血》中得到了充分的体现。《冷血》中呈现的危机异托邦、偏离异托邦和幻象异托邦揭露了冷战时期美国的精神危机、种族隔离和暴力犯罪等社会弊病,表达了作者对美国冷战文化的批判与反思。The contemporary American writer Truman Capote′s In Cold Blood is the pioneering work of"nonfiction novel",and it deserves more studies for its social criticism.Lefebvre regards space as a social relation,and Foucault brings space into the core position of the social culture,contending that space is inextricably related to the anxiety of the age.With the heterotopias theories by Foucault,this paper analyzes the heterotopias of crisis,deviation and disillusion,through which the novel discloses the social mores,including the spiritual crisis,racial segregation and violent crimes in the American Cold War era,and meanwhile expresses Capote′s criticism and reflection towards the American Cold War culture.

关 键 词：《冷血》 卡波特 异托邦 冷战文化 

分 类 号：I712.074[文学—其他各国文学]