论石涛之画法与禅法  

On Shi Tao’s Painting Method and Zen Method

作　　者：晋甜[1] Jin Tian(Henan University)

机构地区：[1]河南大学美术学院

出　　处：《哲学评论》2018年第2期192-208,共17页Wuda Philosophical Review

摘　　要：石涛作为清代僧人,其绘画受其禅师兼画家的特殊身份影响,也受到禅宗文化的影响。本文尝试从哲学的视角阐释石涛绘画之画法与禅宗之禅法的关系。石涛的双重身份,决定了他在借笔墨抒发胸中逸气时,总是自觉或不自觉地把对禅的理解和感悟融入到他的画法之中,禅宗的“法无定法”对石涛的“无法而法”有匪浅的启示。As a monk in Qing Dynasty,Shi Tao’s paintings must be influenced by his Zen master and painter’s special status,and also be influenced by Zen culture.This paper attempts to explain the relationship between Shi Tao’s painting method and Zen from a philosophical perspective.Shi Tao’s dual identity determines that he always consciously or involuntarily integrate the understanding and sensibility of Zen into his painting method,when he borrows his writing brush and ink to express his heart.Presumably,Zen’s no fixed method has enlighten Shi Tao’s uncertainty method.

关 键 词：石涛 绘画 笔墨 “无法而法” “法无定法” 

分 类 号：J212[艺术—美术]