从《湘行散记》《湘西》看沈从文的多重面相  

Shen Congwen's multifaces seen from Sketches of a Trip to West Hunan and West Hunan

作　　者：唐小祥 TANG Xiaoxiang(School of Literature and Journalism,Inner Mongolian University,Hohhot 010070,China)

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070

出　　处：《中南大学学报（社会科学版）》2021年第3期169-177,共9页Journal of Central South University：Social Sciences

摘　　要：从《湘行散记》和《湘西》这两部返乡散文集中,可以看到沈从文观察和书写湘西时现代文明和乡土文明兼而有之的双重视角和眼光、深切的地方性与“照我思索”的方法论;可以感受到他对文学重造社会、国家、民族和新人的顽强信念,对传统乡土文明与现代都市文明碰撞的思考,以及对启蒙之困境和人类知识、理性之有限性的清醒洞察。由此,能够发现沈从文及其作品的多重面相。1980年代以来的沈从文从纯文学知识谱系中浮出历史地表,逐渐被文学史经典化。这种看似回归文学本位的阅读方法,实际上是对作家丰富性和复杂性的稀释与简化。在文学经典化的背后,往往有着复杂的社会与政治因素,如何对待及进行文学的经典化,值得进行更加深入的思考。From the two collections of essays on home-coming,Sketches of a Trip to West Hunan and West Hunan,we can see the author's dual perspectives and visions combining both modern civilization and local color in observing and writing his west Hunan,his deep concern about locality and his methodology of reflecting on thinking.We can also feel the author’s tenacious belief that literature can reconstruct a society,a country and a new man,his pondering over the collision between traditional rural civilization and modern urban civilization,and his clear insights into the dilemma of enlightenment and the finiteness of human knowledge and rationality.Hence,we can discover multiple facets in both Shen Congwen and his works.Since the 1980s,Shen Congwen has emerged to the surface of history from the pure literary knowledge pedigree,and has gradually been canonized in the history of literature.This kind of reading method that seems to return to the literary ontology is actually a dilution and simplification of the richness and complexity of the writer.Behind the canonization of literature,there tend to exist complicated social and political factors.And how to treat and carry out the canonization of literature is worthy of more in-depth thinking.

关 键 词：沈从文 《湘行散记》 《湘西》 地方性 寂寞 

分 类 号：I266[文学—中国文学]