“外在弱势感”与“内在强自尊”——新媒介环境下中国地下嘻哈族的情感结构分析  

“External Weakness”and“Internal Self-esteem” :An Analysis of Underground Rappers in 21s Century China Under NewMedia Environment Through Feeling Structure

作　　者：柳珊 宋佳芸 Liu Shan;Song Jiayun

机构地区：[1]同济大学艺术与传媒学院

出　　处：《媒介批评》2019年第1期108-127,共20页Media Criticism

摘　　要：本文借助雷蒙·威廉斯提出的情感结构概念作为分析手段,运用质化研究方法,通过对新媒介环境下21世纪中国地下嘻哈说唱族群的深入考察,围绕其“地下出身”,提炼出他们背后“外在弱势感”与“内在强自尊”两种情感走向.研究发现,中国地下嘻哈说唱族在向上流动的过程中,因新媒介技术带来的环境变化,说唱老炮与新鲜血液经历了新旧更迭以及与主流、商业靠拢的时刻,在地方与全球的碰撞下形成了以“地下出身”为中心的情感结构.这一情感结构是饱含矛盾张力与紧迫困窘的:既有外在被排斥、遭挤兑的阴暗面,也有内在骄傲、热情、自尊自立的阳光面.对中国地下说唱族而言,朝向一种文化公民身份的努力,是他们在社会多元化发展过程中实现自身价值的重要途径之一.Through the investigation of underground rappers in 21 century China under the new media environment,this article is tended to use methods of qualitative research and the theory of structure of feeling from Raymond Williams.Two conflicting feelings,external weakness and internal self-esteem,which is based on the underground origins of rappers are refined through the analysis.The research finds that the underground rappers form an underground origin feeling when they try to get closer to the mainstream and commerce when the transition from the traditional rappers to the new blood happens in the cyber world when local rap collides with global rap.The structure of feelingiis full of contradictingtensionsandurgentem barrassment. The underground rappers have the dark side of beingexcluded and ostracized as well as the white side of being pride, enthusiasm , .self-respect and self-reliance. For the underground rappers in China, theefforts towards cultural citizenship is one of the significant ways for them torealize their value in the development of social diversification.

关 键 词：情感结构 文化公民身份 地下说唱族 

分 类 号：G206.2[文化科学—传播学] J605[艺术—音乐]